Monday, September 7, 2020

Fire and Smoke

 

      “There are only two dates—that of my birth

       and that of my death. Between one and the other 

       all the days were mine.”


                                    —Alberto Caeiro




Each meeting is new, I believe, no repeats.

Yet there seem so many times something else

at work—so I felt this morning, after weeks

of distress, an alignment, if you will, a subtle shift

into place familiar, carrying signals, promises

of a steadiness, if not new, not unfamiliar.



**



Petrichor:


that’s the word for it, earth’s smell

after long-awaited rainfall, an earthy sweet 

scent lifting from ankle-planted feet,

blossom-less, stemless promise, simply

breathed in.


This time of year here is dry. The last of the plums

hide in bunched leaves, apples fall ripe, and now, 

at last, the pears.


The trees edge the pathways and stucco walls

that frame the vegetable gardens. Willa Cather’s

“Professor’s House” prompted building the walls.


Two seasons’ work, my father’s visage with us

the entire time—the storied scholar, 


the grade-school educated laborer, and me, 

the only one sweating.


We three, we did good.  



**



The corn ears this year were a bit stunted

and harvested about a week too late. 

The kernels didn’t squirt their juice, but

when bitten, did ask to be chewed.



**



The first light before the sun breaks

between the homes across the way

is neither grey nor shadowed, 


but whispered, there, but not yet full,  


and neighbors move in this light

as if through sheltered rooms 


where loved-ones still sleep, move 

with care and carefulness 


simply not afforded later times 

and later light of day. 



**



Oh, the quiet light, again, 

that light that lays in whispers

on the streets, in the trees, the leaves

so still, the air that claims all for its own 

embracing our hearts in smile.


The teachers, the teachings, the leanings

most true to my living, never leave, linger

always so close, that any need to make claim

on my part is superfluous. The I that I am, if at all, 

receiving, waking, responding.



**



Mornings, before the sun,

evenings, at sundown,

hummingbirds come

for fence-running 

blossoms.





**



—8/15


Open windows, the door to the deck open 

throughout night’s quiet—rippling starlight, 


moon’s crescent, and Venus, high in the east, 

above the sun’s huddled waiting.



**



—8/16


This morning’s earliest hours belong

indisputably to Heaven.


A rolling announcement

of softly offered glow,

sharper hints of spark,

followed by the full encore

of bolts and flash and boom,

traced through sudden bulging drops 

of summer rains…


Amazing for us here in these parts.

And little did we know, the start

of the fires.



**



The grandchildren are doing a great job,

which I do appreciate; but sometimes 

I miss my teachers.



**



Waking before dawn these August days 

of Covid—this day, wandering the house 

and out to the deck to check on the stars, 

to see how they are—and some are there 

for me to see, staring back in their shining, 

in their dying.


And as I lay back on the bed, I think

our world too is dying, as am I, as are

we


and a lightness makes its way, makes 

in me a way for the song of Buddha’s name,


uttered and uttering clouds of OK-ness,

of lightness—a way. 


And I sleep.



**



The wife, I’ve said this before, observes

in me a stubborn streak, to which I retort

that I’m not stubborn until I am. That said,

there’s little doubt the wife knows of what 

she speaks—and between you and me, 

I don’t know the same can be said 

of me.



**



Grey morning skies

speak of fires. The news

spoke of five last night, of more

this morning, another summer

of flames linking us to the wilds,

illusions of difference erased,

lessons signaled.



**



Smoke laces the canyons, 

filling the valley from the west,

deepening up and down—no sky,

no sight, for a quarter mile.


The fires.

The summer.

The fires.



**



Because…


The second real walk this week,

hip and leg mending, I breach the arch

of a dusty rise to see the sun giving its light

in the haze above the bay— 


a red-tinged orange disc 

glowing in oddly lowered tones,

murmurs of nearby fires.


These therapy walks bring me to break

old habits, to different views of town,

of remembrance of the presence

of the bay, just here over the hill 

from where we live.


On the street side of our front fence,

on my return, bouquets


of purple passion flowers. 



**



Two days ago I spent two hours

hanging a triangular sun canopy


from the arced trellis to the front fence, 

finally getting it just right.


The smoke from the fires keeps us indoors, 

but I’ve watched a hummingbird, multiple times, 

come perch, at rest 


on that single stretch of nylon chord, 

before zipping off for blossoms.


That singular, personal sense of presence

within the world at hand, that at death

goes missing, 


owes whatever it was to all the rest 

that remains behind, that which gave rise 

to that sense of presence, that gave that sense 

something to sense, 


like flowers, like hummingbirds, 

like a stretch of chord. 



**



—They say, Boulder is gone…


But make no mistake, we are and are of

the places we love, we are and are of the places

we have learned to love in, and have learned

to be loved in, 


and loss, oh loss fractures, pains the whole, 

but cannot lay claim to the whole, 


only our generations can do that, can claim, can 

reclaim what we’ve known there—the house, the home, 

the refuge, the treasure of who we were there, 

who we are because we were there—see, 


there in the photo, aside the debris, 

the circled redwoods, there in silent wait 


of the fairies and the dreams, and of us 

and the generations.



**



True living signals so often come

as outside calls,


a window open to utter stillness, a leaf, 

not even that fluttered,


all still, yet still with voice, lifting eyes, 

gifted silence.


My wish for you is this.



**



Ice to the nerves

of the stricken leg

soothes puzzles

of physical being,


a would-be poet

sipping again

at the stream.





             ***



      this world—

      the silver dewdrops

      aren’t lying


                    —Issa


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