Monday, November 19, 2018

Ireland

...and thereabouts….10/18



“….each person stares out of a story full of suspense 
and surrounded by mystery.”
                                                —William Stafford



On the plane, I watch others’ movies 
so the sound doesn’t interfere
with the story.


**


Dublin, down the street from Trinity College, 
fashionable young girls and leaves 
readying for fall.


**


Leaves fall, flash 
colored predictions 
of what’s next.


**


Gulls wing above the street,
call into morning darkness
as loud as young men 
crowding the corner
crow.


**

The winds on the Galway coast
can make your steps so light
you might well tip.


**


Galway

Ocean often makes its strongest case
in the dark hours, shares long-held dreams
at the furthest reach of its spray.

You have to be there.


**


Where my feet demur, I listen.
Just below whisper, deeper currents
encourage, but do not instruct.


**


First light comes a shadow-glow, low in the east, 
stars gone, ocean air dry, warm, lingering, 
lingering as if needful of nothing  
but listening.


**


The older woman

with eyes alive, smiles quick, leans with her step, 
takes notes and listens before she speaks—there’s more,
but I’d rather hear her say it, set conclusions aside,
just ride the light she rides.


**


Found a flower in the flora magazine I’ve carried along
that I’d found in the mountains earlier in the season. 
My photo is better, but not nearly as good as
the memory of the find.


**


Killarney to Kilkenny

From the southern coastal mountains, inland,
pastured hillsides reappear through the mists.

County Kerry into County Cork, thinly veiled
remembrance of resistance clears the surface
of the guide’s voice.


**


Kilkenny to Dublin, further north, leaves turned 
even more. Morning clouds appear 
at the mouths of cows.


**


Stars this morning 
between the crowns of surrounding trees,
constellations signaling in English.


**


The streets of Belfast taste of the work of living.
Not one we’ve met is not friendly, everyone inquiries
with a smile, and on the sidewalk side of the bedroom
window, children’s voices make it morning.


**


West Belfast

Once born here, family history, as if chosen,
becomes the ballast of life trajectory.
Even the peace wall has two sides. 
Things are better, but gates open in daylight
still are closed at night.


**


The last night, watching through the window
a street lamp throw glitter to ripples 
on the River Liffey, thinking 
who needs the moon?


**


The goal: 
the lightest possible touch.

How simple?
Unidentifiably so.

We leave Dublin
over wide stretches
of sectioned greens,

through scattered puffs of cloud

casting good-by shadows below.  

Wednesday, November 7, 2018

crossings

Crossings…

                        poems



Desolation Wilderness, south, in September,
following the fall of the foot to the trail

each time deeper 
into the sky.


**


Was it the broken flow of dream-light,

the rustle of splintered words

or morning’s pools of gentle press

that suggests a different shore ?


**


Rising late in the east, moon
lights the tops of the trees,
then downward the trunk
lengths, to finally 
the ground.

Nothing missed.


**


Skirting the northern edge of Lower Echo Lake,
moving west above Upper Echo and to the shores
of Tamarack, setting camp to its east among trees,
clear blue sky turning dark and chilled—first stars,
east and south aside the fulling moon, resonant

—the pulse of surrounding stones.


**


A not altogether unreasonable goal
might well be to reach more for what 
discomfort may have to offer.


**


Down from Suzie Lake 
into the east, canyon walls 
glow copper, aspen leaves 
quiver gold.


**


Climbed Mt. Talac today, up from Gilmore Lake, 
ascending 1,400 ft to 9,700, at 74 years, 11 months 
and 3 weeks of age; but who’s counting?


**


Lake Aloha holds place below north facing slopes of the Crystal Range. 
The jagged peaks that reach almost 10,000 feet are those just missed 
by churning glacial scrape that sheared clean to the bottom, 

to flattened fissured networks of semi-submerged stone islands 
amidst clear blue, snow and spring-fed waters stretching  
most of two miles today: the pushed front-end of centuries 

that readily escapes all efforts of the paltry scratch of a pen.


**


Headlamp off, journal closed,
tent illumined in moon glow.


**


The primary devotion
in the high country is to breath.
This unquestioned touch-stone 
of well-being is never taken for granted
here—songs are sung to it.


**


Lake Lucille nestles in a small bowl
of scraped boulders, perched at the edge 
of a deep gorge that widens into valleyed landscapes 
and surrounding peaks. Abundant spruce, lodgepole pine 
and ponderosa, coloring scrub and golden aspen, soften 
this rock bound plateau to murmurs of retreat. 

Moving from point to point, one outcrop or dome to another, 
we can trace most of the last four days’ trek. Here we rest 
and reflect, here day lets silence have its way, lets the rocks 
take us in and birds slowly begin to show.


**


High-mountain communion:

sips of shared brandy 
on a boulder overlooking 
lake filled valleys.

Liturgies of the senses.


**


To wake 
during  
a rest-
less night
to see 

Orion

is to know 
all is 
all right.


**


Portola Redwoods State Park

The seventy-fifth year begins 
with a full bladder, a zipped sleeping bag 
and chilled, shadowy air held in place in part
by towering pillars of unquestioning presence,
ancient celebrants of here, now.

The bag’s zipper speaks to open, then the tent’s,
softened earth receives the pee, upturned eyes 
catch the play of the branch-crossed moon
and the head bows.


**


The deeper tangles of younger fears,
the longing for answers, for lasting form,
let go, open the free-step breath-work
of crossing the unmarked snow
of old age.


**


The “tradition-of-being-alive”
trumps by virtue of its commonness.
Our part, to bring to bear the currencies 
of talk, coming to see better
where we are and how.


**


Through the window, the moon,
fulsome above the ridge line,

juxtaposed with two ceiling lights
reflected on the inside glass,

all three appearing round, all 
borrowed light given back.


**


—Our times

Especially in small town america,
passing by others so close sleeves touch 

suggests at least the lifting of eyes,

wouldn’t you think?