Sunday, August 2, 2020

The next move...is morning's




Relationship true to the teacher never severs,
is never dormant nor forgotten; 

even in sleep it rises, light-shown  
shadows remembered.


**


“As a poet and contemplative” is the way the author speaks
of Merton, saying

Merton’s lived life was in essence the crux of his “dialogue”
with Eastern traditions,

the conversation of spirit he valued so; yet, says the author,
he neglected to formulate, didn’t bother to frame
“a systematic structure” 

for this “intellectual and existential 
spiritual journey,”

which to me means Merton’s natural inclinations 
moved through him, moving him through
the world listening deeply— 

structure-less, open, kind, caring.


**


The Ohlone peoples see Hummingbird
as the primary purveyor of unrestrained life-spirit,

unapologetically riding its own pointing desires
wherever led, no illusions of longevity;

each touch telling its own fullness,
each leveraged wing springing wide the next, 

questions of self, or of other, 
simply not keeping up.


**


—to David S.

After so many years of distracted attentions,
of inattentions, of demands for immediacy 
I accuse so many others of, 

I turn in your pages 

slow as a dusted arc of trail that slants a canyon’s edge
to roll that open taking-in of silence’s quiet entry, 

so sudden as to startle recognition of kin, of kinship 
so certain as to pause every question before 
any fumblings at the lips.


**


Injured hip, old hip, ligaments perhaps—all
likely yes—if not heat, maybe ice—and the wife
complains too, of some stubborn old man, 
and I say what he says, that everyone’s stubborn 
time to time—I mean, he said, look
at sunlight’s insistence 

at the shade-covered windows.


**


Sun’s light unfolds through the window, over the desk, 
down along the floor and climbs to quiet rest on the leg, 
on the hand with the pen, on the papers there—
the warm-glow touch of knowing morning.


**

I’m here, so I speak, I write—they said,
and so say I—what is poetry, what the poem, if not 
the gleam and recognition in the working of words 
in tongues given, what we freely reap there.


**


Sunlight dapples the window.
Diamond shaped layers of dust-glow, 
shadowed forms of trellis-caught light

that allow petals and leaves along the fence
venue enough, distance enough 

to quiver under the strokes 
of passing breezes.

Even the sound of a workman’s hammer-fall,
restrained.


**


The sun reaches in to play
with the white page, blue lines.

Shifting halos illumine whispered secrets,
the glow of softly held wrinkles

giving way before the advancing edge
of silencing shadow,

the surface face, crisp and sharp 
delineations, hovering,

the almost indiscernible marks
of deeper inclinations

at work.


**


It occurred to me the other day
at the keyboard, at an email, 
that I’d written really a letter,
an intimate telling to another

that I’d initially taken to have been prompted 
by longing for connections somehow gone, 
missing in the all-consuming isolation, of late,
of solitary heart beats, 

only to recognize now, 
it’s the resonant pull of shared strands
that allows the heart to allow the fingers 
to speak.

I may well write for myself, 
but sure and real telling is always told
to others, there hearing.


**


After all these years
and all the ways of knowing you,
the words still can’t catch up.


**


Fog lies along the ridge-line in layers 
thick to thin, east to west, to disappear 
behind slopes of grass and scrub—

wind-rushed limbs and wisps waving 
in space held distant quiet 

by smudge-discovered windows,

seemingly not there, yet somehow between,
yet still within reach 
pulled close 

through words.


**


—Where I go, when gone…

The first light to break free from beneath the east
stretches a sighed touch so fair 

as to almost be breath making claim 
by simple presence,

the slopes signaling response with a silent cough 
of marbled clouds

just above their offering 
of woven trails.

In the Sierra, these thousand-foot hills
wouldn’t merit measure, 

but here at the edge of the bay, 
are mountain,

freedom at the door, calling 
anyone willing to wake, 

to turn an ear, 
to step.



**
**


—From Cid Corman

    “With so much
     personal
     sorrow,

     how take on
     the world? Clear.
     Bow, be-

     side me. Must,
     as we will,
     share it.”

Sunday, June 28, 2020

Is it time yet?




Sun’s first touch tells
and day unfolds 
about that.


**


Doing poems, I’m not so certain how,
works for me like air does 
body’s needs.


**


The poignancy of passing moments, fleeting time,
need not be explained. The old live it, young
fight it—it tastes of meaning.


**


Along the ridge line, 
whispers of last nights fogs
hint at heat’s demise.


**


The poem signals
our having received:


**


The poet’s experience
is the illumination
language allows.


**


The clatter of our own voice
can confuse our hearing
of others’ asking.


**


for Dominic Barter

        “Resistance determines 
     all that happens next.”

Engagement is the mother
of transformation, vulnerability
her sister, question her lesson,
uncertainty her only answer 
and experience the linen 
she wraps us in.


**


That we stand
is evidence of the given.

Shelter need not
block the light.


**


Nearing summer solstice,
grasses have browned, scrub and oak
deepened green, blossoms fallen
and trails gone hard.

These canyons have names
that cling to the tongue
like lovers. A handful of flora, 
scattered birds, berry-filled scat 
tell of themselves too.

But the most common language,
the trusted currency here 
is presence, 

exchanged for wonder.


**


To determine
is difficult.

Age, quiet anxiety
combine, times

deepen discord
to angst—blue skies

flash stiff winds,
fogs and low clouds abide.

It’s difficult to determine
which that blows is strongest,
where the dusts will fall.


**


The surgery is simple,
“unremarkable,” as surgeries go.
Pandemic times demand drop-off,
and a return home to wait the call.

Still in the quiet light before sun 
or breeze, long thin branches sparse in leaf arc 
the sky’s pull above the still silent earth.

Deep-throated purple-centered blossoms 
openly wait. 

A single hummingbird, a shadowed flash 
of touch, then gone. 

The unnameable longing stays.


**


Outside the window,
there just now glistening
through the bubbled glass
hanging beneath the trellis
beside the bamboo, sun’s light,

slipped above the neighbor’s roof
to rush to add to the beauty

the wife foresaw
when hanging it there,

a fleeting, but certain 
smile. 




**
**


Emigrant Wilderness, California
—north of Yosemite

Tomorrow is summer solstice.

Yesterday, the Sierra high country met two old men 
head-on, shattered expectations of bodies too aged 
to go the distance gracefully.

A morning and afternoon of rest finds us 
in a rocky meadow under darkening skies,
waiting the stars.

Old men don’t argue, they adjust.

Backpacks traded for day-packs, 
we hear the lakes waiting, just need to learn 
what the mountains have to say.  


**


Dozing this afternoon
under a stand of tall fir
at 8,400 feet,

it’s my own breath that jars me
to return, a seed

on the face of the earth
floating in space,

given, as with all other,
place enough to be.


**


—Multiple centers of intelligence…

the rocks, the mountains, critters and trees, running water,
the breezes along the crests, open sky, distant peaks,
granite beneath the feet, the heat, the chill
at sun down, the promise stars deliver


**


Mosquitoes linger as best they can
in the last chilled moments of summer solstice.
Pink clouds scratch at the west, and this light holds,  
so, so long, before giving day to dark.


**


Jerry reads aloud from John Muir, who was here, nearby, in his time,
his journals of poetry-prose transcending linguistic limitations
in streams aligned and imbued with nature’s “manuscripts,”
lines of nearly inexpressible awe, the ecstatic praise 
and prayerful generosity of unhindered spirit, a free-fall will to live, 
and the living inherent there.

And so it is, on this, the last of our nights of this time in the mountains.
Singular scattered trees among thick forest stands catch light’s last
from the west, that works the openings with all it has, 
the all they most willingly take.

And come too, a time to refigure. Not so much coming years, 
as the attitude with which to engage whatever it is that does come, 
to come to that uncentered, unhindered, so as to constellate with, 
to come into touch with. 

That living. It’s time.

Tuesday, June 23, 2020

Shelter 4




Whose shelter? Which virus?
          —a lament

On Black-out Tuesday, 
immersed in tension-filled news
reports, all so reminiscent,

I turn to the garden
for light spring pruning
of branches stricken with curl,

a sheltered privilege—would
that it would be so easy
to cull the poisonous roots,

but the tree still stands.
Even for those of us not on the streets,
shelter has lost its luster.


**
**




Still below nearby crests, the sun
pushes first brightness 

into scattered scratches of cloud
that refract a softer translation

on grass-filled slopes, unhurried 
by the whispered glow.


**


As if busy-ness had finally looked
into itself and closed there 

around a quietness that spread 
through morning along the street 

like the limbs of a great tree
waiting to take all that we carry, 

if we’d just look up.


**


what the song bird knows of music,
she repeats, the melody
never tiring


**


And so, at nearly seventy-seven,
living’s intentions realize
an indomitable Yes 
gives the words
that draw one 
into creation-not separate, 
gives everything else as well, 
so that we can give song…


**


A drizzled mist meets me at the door
this morning, darkening 
ordinarily quiet Sunday streets 
with the added weight of extended days 
of quarantine…
     
yellow roses
     along the fence
gently scent
     collected droplets


**


The wooden Buddha sits
beneath the calligraphy
framed on the wall.

Neither says anything
that isn’t already heard.


**


The aroma
the yellow roses have

waits for you to give of yourself
first.


**


And the flecks of joy,
their living, wandered 
amidst thickets and blooms
of ordinary turfs,
are sometimes for a moment
lost in the tongue’s
attempts to tell of the fullness 
carried in even the barest 
suggestion of a lightened way.


**


Binging during the lock-down 
and a scruffy video eight-year old 
over-voices precocious wisdom 
about death as that precious shift
from somewhere to everywhere.

I know I wouldn’t have heard this otherwise,
so this dedication is to “Hush-Puppy.”


**


For Neil Young

If dream is a memory with no place
to stay, 

touch is what we reach for 
in the night.


**


Nature means the arc of the narrative
of connectedness. Words are the threads
of our weave, the sound of the tracks we leave.


**


Extended quarantine often feels
like being inside,
when outside has long been
over-cast.
Grey light, flashes of sun
and sky.

Like being held in old age
and some nit-wit announces
that “this too will pass.”


**
**


Even for those of us not on the streets,
shelter has lost its luster.