Tuesday, September 10, 2019

For clarity's sake




A dancer’s dress,
a butterfly wing,

a railing with see-through slats—
homes, hills, cloudless skies

and the barest trace of a walker’s trail
that makes me 

want….


**


life’s work…

to say with clarity what we see
in the world and catch a glimmer
of the how offered of that

is not longing
so much as it is our present lack
of words to articulate the distance 

and so, 

that new language insisting its way, 
I believe is the why behind that feeling 
that won’t let us be as now we are
for long


**


A single bird, a fluttering flight
of wings against the clearest sky

edged against the coming night
falling first to hills in shadow.

Street lights then, then soft glow signals 
from home windows.


Each of us in place
at the only possible time.



**


That this thin sliver of white gauze
high in the sky hides its shadow
this morning and shows its fullness 
in time its own and not ours to choose, 
we know and we wait and we see—this face
of the world that wraps us as grains
at edges of tides that won’t do our will
that poet Robinson Jeffers urged us 
to open to—the answer, he said, right here, 
no matter choice, under our feet, 
above our heads, the tips of our fingers
there waiting to touch: turn with this
and see, he said. And I, for one, do.


**


It’s easy enough, I suppose, to dismiss 
the blossoms along the fence, bobbing pink 
collectives of muted aromas riding the tosses 
of random breezes, yet all the while 

steadily seeking those honey-source rays, 
even as now, through a heavy veil 
of filtering clouds.

Easy enough, they might say in turn, 
to one whose two feet glide easily firmed streets, 
willingly carrying a cloud-filled head, oblivious, 
inarticulate too, to honey-calling fruition—

easy, privilege, indeed; but which one knows best 
its living, and how does one make that call?


**


Not finally squelched, not yet fully slumbered,
desire seeps the waking surface
and lengthens the night.


**


It’s not the word itself,
no single word, nor the many,
so much as it is the doing of words
within the boundless ocean 
of interlacing carriers of consciousnesses
of which they are critical parts, each a reflection 
of each and every word ever done. And we, each 
of us in each doing, reflecting this wholly living 
worded experience, its continuing resonance, 
the poetry so often spoken of.


**


The throb and pulse and seemingly
endless satisfactions of consciousness
folding over and over upon itself,
until not—and the amazing freedom
born of that.


**


Usually framed in opposition to life, 
death’s real role is that of partner— 

co-protagonists in free-form dance 
unerringly followed by heart’s intuition, 
an ungainly range of turns of love and loss, 
of joy and tragedy, of doubt, of fear, of struggles 
and the satisfactions so often found there—

life’s intensifications in the face of death’s promise, 
that we all follow by heart’s intuition, even if 
never realized we do.


**


On turning seventy-six next month, you’re asking, 
how I’d like to spend my remaining years….

            you mean after morning coffee, right ?


**


The heavy bottom-sheet flipped over itself
on the line in the wind last night, as sheets tend
to do, a bundle of resistant layers now, the rest
of the laundry hanging quietly open in the damp, 
as fogs drift the ridge, linger canyons, then lift 
and slink across neighboring roof tops, away.
You know.

But earlier this morning on a familiar route,
I was startled by what I found: the light, different,
clearly so, opened a distance about me
to reveal previously unnoticed details, so vivid.
While my steps registered familiar ground,
everything was unmistakably new.

Through a break in the trees above the homes, 
the hills’ summer tan burst rugged gold with sun,
the homes themselves snapped along the street  
with color and line so crisp they nearly spoke, 
and a promise, long held deep and close, 
proved itself true.

Sensing that now, not one thing ever will unnerve, 
distance demurred further question, direction
took hold of its own, and not knowing

became home.

Sunday, August 25, 2019

No turning back




I’ve begun to realize how fortunate I’ve been
that my feet have known earth’s language for so long.
An old friend, once bedridden, once said if you can’t walk,
you’re dead. I didn’t believe him then and still don’t.
It’s in the language, I think; but of this I’m sure:
no circle is so small as not to be included  
in surrounding horizons.


**


Of all of them, the closest to me is the comma.
It costs nothing more than the distance
of our conscious attention—a pause, awake.
In return, window enough to see now 
in relation to its possible nexts…

all told of course by the words
surrounding it.



**


Plumas National Forest  

named for it’s Feather River, 
it in turn named for the earlier plentitude 
of feathers there used by original peoples 
who spoke to the river as Ya-loo.

Old growth conifer 
linking the Sierra Nevada 
with the Cascades. 

Ours is the southern slope of Smith Lake, 
nicely spaced Sugar Pine, Douglas Fir 
and Lodge Pole, 

looking across at sparsely treed scree, 
outflow rushing east.

We eat and talk, late, into the fire. 
Sleep comes easy.


Mornings, the lake gives stillness.
The fish know, the rocks, the trees, the hillsides
drawn to its shores to lay on its face 
with the sky. 


During the long darkness before the third morning,
coals from the night’s fire creep beneath the stone ring 
to ignite collected debris—padded earth, red glow,

coals, tips of branches, sleeping sticks and wakened signals 
of smoke

squelched only in the silent happenstance 
of rising together with first light— 

not by smothering, not by lake waters first offered, 
nor the second, but only three, 
with the fullness of three.


In the aftermath, the fish, as they do, 
ripple the inscrutable composure,

and we, we return, as we do, to the lake’s edge 
to be received, and once again to receive.


**


Well maybe so but
it’s those weeds, each one
and all together, that hold
that hillside where it is,
green turning to brown.


**


The fantasy of walls…

I dreamed last night, long,
of a mountain lake

that returned each dawn
its stars 

to unhindered skies
that sang their songs 

on wind and breeze, 
that preserved their words 

on the change of leaves
and the mystery 

no wall will ever breach. 


**


The sun, up, but still east,
buried above 

dense cover of cloud and fog, 
shouts broken shards of sheen, flings 

brilliant pools of blinding light 
scattering across the bay,

so precise, shadow 
has no place.


**

Re-sounding the center—
                  a personal story

She walked through the door
into my life
     and equivocation’s grip loosened
          right there,
me following her home
into marriage, making family,
     making home,
          and all else ever 
swirled, and swirling, around that
unequivocal center, made of its self-
     making wholeness, 
          its real-living stuff, 

all subsequent study, all self-searching,  
contemplative tools of appreciation,  
     of understanding of the wherefore
          and the what
of this singular human experience
and the all and every
     of its joyous
          sustenance
at work on the lift and whiff
of the sacred scent of love 
     at every door 
          ever since opened.  
      
The heart-mind, the human soul, 
     knows its own center, performs 
          its perennial, prismatic functions— 
                        
                      flawlessly

negotiates, gravitates, gathers 
       and refracts, even as we dance 
           its periphery, unaware— 

and the music, the music 
     when finally heard, finally recognized, 
          is the full re-sounding 

of everything true, for you—for you, 
     
the resonance of home, the gifted center
of vision’s strength, the quivering celebration 
     of world as spirit felt 
          in the depths of your bones.


**


Steep, the trail here is steep.
I stop at coffee berry blossoms.
The hummingbird takes to sticky monkey. 
And hawks circle with the sun.


**


Fogs blanket heavy and long this morning,
without descending the canyons, 
without chill—the first sliver of blue
just before nine, cleared sky well after,
well-promised heat delivered in full,
sitting here now, just sitting.


**


The heat holds something all its own
the dogs must sense, the crows
too making noise for reasons 
so thin or not there at all, something
swallowed by a nothingness
that nonetheless suggests 
something.


**


It’s not unusual these days that days slip by 
like tasks lost to forgetfulness, misplaced lists 
unknowingly swept away, discarded, recalled, 
then again set aside until tomorrow.

The old woman in the story too, old even when young,
couldn’t remember the feel of “wanting anything” anymore. 

Yet, quite readily, she met each spring, 
colors and papers in hand, met the coming spring 
at its chosen place, 
in its time, 

and followed through till earth firmed 
in winter’s grip.

The tall flowers in the front courtyard
stand today fully open and so utterly still, 
it’s as if air is simply not there—yet we call 

each other so vividly, I lean forward in my chair.

Tuesday, July 23, 2019

After the escape, what then?




Directions:

The groves spread thin at the top,
double-trunk oaks turn 
to open grasses and scrub, 
the trail draws the canyon’s upper arc 
to the other side, and the road there
takes you, either way.


**


So still outside
the open window,

pale pink petals
in tangled green,

glowing shadows,
the sifting fall of sunlight 

and in here, the page 
rustling whispers to the pen.


**


The second seriously warm day
carries early sounds of hammer-strike, 
the thin clack of framing perhaps, not heavy,
but rapid rhythms and stuttered breaks
of production, of satisfaction certain, 
of work at play on the air.


**


After days of burdensome heat,
cloud cover dampens the weight
of today’s sun, makes promises
we hope it can keep. 

A crow seconds helpful thoughts. 
Morning’s air carries the motion.


**


What makes a song
is whatever the music
heard—the tinkle of glass,
Ginsberg said, says a poem
as lovely as love does—so listen
and be glad you have.


**


The Pacific floats random splotches
of white, rolls altered shades of grey,

holds slow breaking waves
and thinly strewn shadows,

all of this making way 
as we make ours.


**


Ketchikan

We dock in light rain, grey skies
over forest covered hills. A free shuttle
idles just across from public restrooms, 
a coffee shop on the far side of Water Street.
The town, five blocks long, scatters 
early traffic, but mostly just waits


**


Skagway

I’ve seen before
snow covered peaks, 
canyon hanging clouds
and deep harbor blues.
But Skagway is so much
its own, I’m almost afraid
to ask how long its light 
has been.


**


poem as poet—poet as poem

the heart-mind, feeling-thought, 
seat of intentions’ resonant center,
presenting through words


**


Open ocean reminds us
sight goes just so far
and maybe just far enough.


**


It occurs to me
while walking this morning
that while I often don’t know
what the next step is to be
in this life, these feet do.


**


Lights across the valley
sneak through cracks
in the blinds, remind me
of the looming hillsides
hiding now as darkness,
their ruse given away
by the unhindered innocence
of sparkle—I turn my eyes
to the night skies.


**


The building guard grimaces
a tight-lipped “second floor” response 
to our restroom request, later managing 
half-smiled eye-contact, in return 
to our departing waves.


**


Morning sunlight finally finds the window
letting to the carpet, spreads about 
my bare feet as readily as patio shadows
drink illumination, open petals glistening
crescents on ripple dappled leaves—
quiet workings, so close, so intimate, 
so easily missed, unless not.


**


The poem, then, is something happening
in and of language itself

that catches our attention just because
it does—the poet’s role, to touch

by listening, so as to share the continuity
of consciousness there—self-expression

but one part of the whole heard,
attentive readiness the preferred posture.

A poem then, if we open to the occurrence,
shapes us as we might think to shape it.


**


Laney College, Oakland

At the edge of the community garden, 
the lift and catch of airborne water, the estuary 
plays in breezes enwrapped in the constant run 
of freeway songs, sifting nearby trees and slow
collecting aromas of sun-baked hay.

The campus feels of these things as does a home 
the voices that roam unhurried there—murmured stories 
of student commutes, bird calls and leaves, passing traffic, 
children’s laughter, the staccato cries of lingering geese.

Laney


**


The blinds

The blinds in the room where I write are raised to cover the upper quarter 
of the window, but are never fully closed. I peer through angled slats and 
the underside of the wooden trellis just outside, enabled to sit hidden, doubly, 
from whatever eyes perched on the neighbor’s balcony, yet still exposed 
to filtered sunlight and the full press of happenings in the front yard.


The window opens from either side with horizontal pushes that create vertical
rectangular openings. Breezes in spring and summer come in strong gusts, trees 
and bushes jump and wave and bob and whoosh. But for the blinds, only the far ends, 
exposed to narrowed passing streams, quiver. Like aspen leaves seen in the distance, 
resonance un-sounding, echoes lost. Yet, voiceless transmissions received. 

The mute and resilient interior looking out over silence.