Thursday, July 18, 2013

This living...


This living…

June--July 2013



In the end, there is no answer,
only song—songs of momentums
of moments of resonance,
passing.



**



Awake

It’s not so much that “I thought”
but my thinking was such
that my living was so
that the world as it was
seemed a constant nuisance,

endlessly interrupting, forever
intervening in the story
in my mind.

Then one day, it got through.
And now I see the reverse is true.



**



Voice rides breath that ride winds that ride
seminal vibrations that sound—say the teachers:
follow just one thing, all the way through.



**



the depths of the working of breath
may only be discerned by mind made quiet
as it follows where it leads



**



Voice of course is breath embodied,
breath, the wind’s wish for a rounded earth,
whispered amongst myriads of limbs.



**



Poems in morning

And in morning’s quiet,
the house still, is only the chill
that drifts, that lets the window opened
feel the pass of night, feel the blessings
bared and at rest in the calm
of the heart at home.



**



the density…

of lived experience is such
that moments of clarity and calm

are like quiet clearings
stumbled upon in the wilds

—a bit of a stretch
to claim too much credit



**



Attending

After a long absence,
returning to work the garden
—it all comes back.



**



A scattering of haiku—for Fritz,
thinking of transition

Fallen leaves make the earth.
Ideas, seasoned by light,
cushion every step.

*

Mature growth, rich life:
always in proportion to
how well we let go.

*

Cautionary: trees
sometimes hold their leaves too long—
like us, still survive.

*

Age gifts pure practice,
ready or not. No cushions,
no bells. Only change.

*

Even seclusion
is in relation—how else
to breathe, but for leaves.



**



In the meadows of Lyell Canyon, Yosemite
July 2013

Promise floats in the air here, lean, immediate,
without presumption; and this high mountain dirt,
rich, abundant meadows spread wild with color
for any who will come this far.

Chanting ancient songs across these meadows looking out
at glacier-covered peaks, seems more than just appropriate, more
like an act of the wind, itself lifting voice above the stream,
through the grass, into the pines and along the rock-faced ridges

at rest at the gates of heaven.

Humility sprouts in all who plant their feet here, even for awhile,
unfolding on the breath before thought, as natural a grace
as the cloud-traced contours of distant glaciers,
wind-blown, light filled shadows

passing among myriads of hints
of healing and wholeness.



**



Mornings

he sits at the altar,
incense wafts,

breath settles, light falls,
wonder unfolds
to sustain

like the pulse of the out-stretched hand
that pulls forth the praise that follows the prayer
that opens the heart,

that gentle persistence, the softest scratch
that pulls each page, as it pulls each breath,
to the fullness of its turning.



**



July 4th

The Big Dipper,
large and low in the North.

Here in the South, we too get up
in the dark, to pee.

Wednesday, May 29, 2013

More with less...


More with less—poems
from May 2013



There was once a man who wrote
each day, pen to page to swirl and to scratch,
to press into meaning the meandering lines,

to trace the tracks along the shore
or traceless futures of untellable trails
that lift into the sky.

And some mornings of summer’s longer days
when dappled sun light reached to touch the hand
as it touched the pen that touched the page,

he’d pause, as always pleased to bow his head,
then again begin to move the pen.



**



It’s that we love, that
we love, that moves us most.



**



Dimpled to opaque,
the colored sheet of cultured glass
hung from the bamboo trellis,
sways with the weight
of captured sun beams.



**



To Jonathan and Victoria

Phrase was the term she used,
the recurring theme in the piece he played,

not passage, nor line, more the rhythmic murmur,
the sounded pulse insistent of ought but itself,

self-contained, readily moved where best received,
but best understood in the gathered hush

of pass and return,
over and again.



**



To wake in darkness before stirring birds
to find winds finally quiet,
fog but broken mist in chilled air
as the first of the sun
lights into the clearing skies

and yet to walk almost blind
with churning argument—it is this then,
it is this, is it not, that condition called human.



**



Like those tall pink blossoms in the garden
jostle and sway, thoughts too speak
of what’s being said.



**



Call it meditation
if you will, if you must
call it something,

but know the quiet mind
is itself already
the work.



**



The ancient masters do not quibble—joy
is real, as is travail; life is rife with both.

Skillful negotiation is key,
compassion its natural associate.



**



Brief auto-biography

Having come to know, this alone leads.
Not hope nor fear, not past nor future,
but this now, this sounded song,
this trail and curve of the breaking wave,
the spread and swell, the articulate turn
of each and every word.



**



Sandino David

In the park at the top of Fruitvale
with the grandson asleep,
each at his age in grass in sun
and all that has occurred
and is done—breezes rush,
leaves tremble, grasses crease at our feet,
and the sky that whispers its mark
on this time in this place as right.



**



The ripple speaks
of current
that moves it

to speak of
its movement—
thus, the stream.



**



to Irma

colored glass—filtered light—glinting
silver—shifting shapes—passing
eyes delight…

Tuesday, May 21, 2013

Spring poems


April and May 2013


Watching the inmates

The open page takes
everyone, just as they are.
Heads bow. Words begin.


**


By example—a haiku with commentary

Like leaves pulled by winds
hold tight to branched extensions
of roots holding firm.

Even before our fingers form, culture
begins to show us how—but different grips
are possible--some even letting go.


**


Wonder:  heart freed of thinking.
Calculation stretched to snapped

does not prevent fulsome release
for those who’ve come to see

the more
that makes it

what it is.


**


Dove calls alone
in early light.

Clocks pulse
the empty kitchen.

Reflection gifts
ever-embracing space

and silence.


**


Somehow the first of May has come and gone
a mark on a calendar unremembered 

much like myriad single breaths thoughtlessly taken
then given away that pass nonetheless

through traceless minutes’ days—but for that
slight attentive pause, just there passed.


**


Days stretch in summer,
lighted lingering coming
slowly to night stars.


**


Chanting Buddha’s name

Unfathomably vast a matrix of realms of truths
carries our each and every muttering—resonant thereof.


**


Coastal grasslands, swelled prairie bluffs,
tales of ancient oceans outlasted.


**


Saint Francis, oh, Saint Francis,
how many, many times your
image has moved me.

Your saintly qualities though,
they’re human,
aren’t they.


**


It took some time
to see the time
to preach
is done—so let
the poems come.


**


While some words say,
         poems do,
participate, engage.

Written or read,
        spoken or heard,
poems move…


**


What part of nothing more to do isn’t clear? Snakes,
over time, leave their skin behind. The screen-door
out to the back porch, it slams every time—mornings,
over coffee, I write; evenings burn incense and chant.


**


You

swoop in
like a boardwalk gull
to snatch up guarded bits
of joy…

then lift off
in dust and tufts
of disregard
for those

who would but share,
not swallow.
Sad.
So, so sad.


**


Altar incense burns
a barely visible thread
of tenuous tie

to tradition
nearly faceless
save the solidity of voice

and so we mutter and chant
and sing affirmations of foundations
of living breath.


**


Soft pink streaks sky clearing clouds to blue.
Garden flowers toll stillness.


**


No one to wake
at this hour,

the barking dog
celebrates

with everyone
within ear-shot;

even passing cars slow 
to hear

and not break
this living stream

rarely heard
as music.

Thursday, April 18, 2013

Wind blown


Wind blown…March into April


Low fog lifts, day light
descends, moist leavings tracing
each step into spring.


**


Big Dipper—floats in
dark skies, turns, tilts, never fails
to point the way home.


**


Promised fog arrives,
blanket-shadows morning light.

But for one west-placed window,
ablaze with a different dream.


**


Breath as sound…

suggestions of elegance, to be sure,
but the old masters took note
of a certain radiance—visceral, joyous.


**


What we offer over
in the world
is the whole of our living,

every time—our mistake
is thinking
it’s not.


**


The poet strives
to make words say
as much as he would
have them say

and trusts 
that desire they ride
that makes them say
all the more.


**


what winds of circumstance
pull from our hands,
frees us


**


Glow burn—a sudden rush of rightness
splays light through dark

disappeared—forgetting words
that would write this right,

I draw these instead.


**


Studies in light ask
for light-handed inquiry.


**


Watching the inmates…

the open page takes
everyone, just as they are.
Heads bow, words begin.


**


The body drags itself
out of sleep these days, full
with windswept pollens.

Miniscule puffs of life
circulate, settle and collect—like
the weight of age.


**


Time bends—deep purple
strokes in the wisteria,
darker than before.


**


April 8th and already
multiple pages,

meanderings of a mind
set free at the tip of a pen

to simply speak—simply
to speak simply, of itself enough.


**


April 13th

The celebration

The day opens on tides of quiet light
and shadowless blue—hushed bird calls
echo blessings already underway.

*

For Erin and Edwin

The range of light
attributable

to laughter,
to smiled embrace, 
close-knit warmth,

to the firm press of lips
and casual words of tenderness
spoken in witness

of the tenuous reach of darkness
as eyes meet in the glow of love.



**


To  Leslie—afterthoughts


To think—this spontaneous
ingenuity so troublesome

holds unopened avenues
of collective salvation,

one whole one at a time.

*

Sincerity—effort
to make inside meet out.

*

Faith—trusting sincerity,
wherever we find it.

*

Amen…

for even just one voice
among the many varied turnings
of that light that outshines the sun
just so.

Saturday, March 30, 2013

February and into March


February 25th

This the shortest month,
though not as short as
could be

rushes to close,
leaving only
glimpses

where we’ve been,
the way headed,
except

for now: forever
rainless skies and a brim-full moon
of patience.


…and into March…


A song for the manzanita—
five faces, one hill

When I contemplate the life-length of this mountain,
the seventy years it took me
to smell its dust
like this

do not rise
except to its reflection—we together
or not at all,
not at all ever alone.


**


“Stars,” for us,
but traces, really,
of what stars really are.


**


Waking in the night
from dreams of frost covered hills—
the sheen of moonlight.


**


Study, paperwork,
a walk and early planting.

And while standing in the kitchen
before evening chanting,

my life spreads clean
as the counter-top before me,

ripples
at my ankles. 


**


Buddhist contemplative…

No blame. We simply
get it wrong, and are carried
along just the same.


**


Light inside, dark out,
making mirrored images
where once was window.


**


Schooley 3/2/13

On the slopes in the sun
amidst the manzanita, he says:

“I bow to the mountain.”


**


Every thought, same story—like
streams in the darkened sky, trails
of ever thinning light,

precarious blessings,
angels’ exhales,
warmed whispers

on bared fingers,
fumbling
in the night.


**


Zuiken Sensei

That cigarette-smoking old man
studied dharma a life-time
or more. Or more.

Left accrued knowledge
to the page, opted
instead for spirit.

That unencumbered
breath rising
through his own.


**


Low fog lifts, daylight
descends, moist leavings tracing
each step into spring.


**


Because blossoms’ bouquet.
Because incense burning.
Because the altar’s quiet.

Buddha’s raised hand,
beside, the silent monk,
the gladdened heart, at rest.


**


Spring Report—March 27th

As light lingers longer,
as sun betrays clinging chills,
your illness withers
and fades, dark winter dreams
heal in the hands of spring.

Thursday, March 7, 2013

Re-reading borrowed words




Traceless in the night sky,
distance-hidden light,
yet to be heard.


**


Where words fail, gassho:

hand gesture of whispered essentials,
dance of timeless connections,
myriad unbound breaths

commingling whole beyond
conception—an ocean reality,
where “wet” has no meaning.

                               gassho: palms together


**


Sky…

the sky
doesn’t lie

takes in
everything

everyone
just the same

empty


**


Threshold…

Have you ever, at this time
of day—the sun dropping so early

below even the lowest slopes, light
shifting radical grey, sudden chill

fallen—have you ever been here
like this, and not turned

as to your lover’s lips
just as they say your name ?


**


“My shadow,” I call him,
walks the morning streets

with me, never talks,
never mentions his name.


**


Words

Though ill-advised
to try to make them say

more than they do,     they

often do.


**


The flag
on the pole
on the corner

at dawn.
Folds flutter—
breeze

barely
perceptible.
Presidents’ day.


**


Like this mountain
holds itself
and breathes me,

we can live
this way, alone
with others.


**


Shadows slant.
“Too soon,”
the wife says.

Day’s sun sets
south west,
moon rises.

Clear and cold,
chilled air 
calls the sky.

Crystalled points
of light
to help us

find our way.


**


Hanging out with the poet—

watching the moon with Tu Fu,
some twelve-hundred years between us,

the translator says,

as he tips and arcs its image
in tones as soft as its light.

Twelve-hundred years. Tu Fu,
can that be so ?


**


Lingering questions:

Does life unfold, or do we unwrap it—and, if so,
what does it matter?

Do I learn first,
or does my teaching finally teach it to me?

Can lack of ambition be achieved—can we strive
to be satisfied?

What have we done to deserve so much
light—and what of those who continue to love us, even so ?

And what does all this tell us of how we might better live
the time left ?

Saturday, February 9, 2013

February poems



Early February, a Friday

I’ve got the day of the week right,
but can’t yet affix the correct number to it.

High clouds ride invisible winds,
streamed snatches of blue sky, rippled shadows
tracing the roughened face of the rain-soaked earth.

Dreams of names and of numbers
hold no more sway, yet none less here
than bird song or early buds.

Let them unfold in the music
that’s their very own, that carries them
all their way through.


**


…and bow…

They’re called “wall flowers,”
San Francisco region natives

that dot upper slopes
from early spring, or before,

when runs of warm clear days
break winter rains.

Four broad petals, innocent
shaped

as a child’s fingers might make,
white-beige

to soft yellow,
and a startling burst

of floral aroma
that says,

to only the closest nose:

that which seems
most unassuming, may be a signal

to slow down,
to bow.


**


“Everywhere is the silencing
of ideas. That is Buddha.”

                           Thich Nhat Hanh


Wanting, in the morning quiet
of my study, to follow this,

and your voice speaks my name,
sets down the book, closes…


**


February first

The resonance of chimes emerges
from the peripheral silence,

presence alone speaking everything
of consequence,

before and after resting
right here in the pulse-beat of our veins.

Mythical vows of antiquity remembered
as if our own,

the gentle sadness and the joy
at having nothing, grants everything.


**


These winter mornings, the moon
stays high,

setting slow in the west
well after light arrives.

Night’s dew too,
lingers.


**


For David and Kaji

We swarm, we humans, we gather like gnats
in afternoon sunlight along the trail,
old friends and new

sharing stories of suffering and of healing,
here on the warm slopes
of the mountain.

                Buckeye Canyon, 1/30/13


**


A tinge of normal
returns to our world. Once again,
you correct me.


**


Nanao Sakaki:

Turn off
the street lights

and
moon and stars

jump out
in all their glory!


**


The heart, trusted

like morning’s incense,
suggests a newness akin

to the shift from night to day,
returning remembrance wherein

nothing’s forgotten,
a turning over within

ever-arching horizons
of timelessness,

almost incomprehensibly tender.