Monday, April 1, 2019

March poems




Light pouring through the window
into the living room,

passing through comment free, 
touching everything.

Moon’s search-party, 
still here.



**


I hitchhiked once, when young, 
from the west-reaching arm of Florida,  
to a small beach town 
on the continent’s western edge, 
just beneath Los Angeles.

Most of the details of that stretch of road-
life have long-since slipped into space 
far more grand than the Pacific, 
every last one still vital,

critical components of tidal influence, 
of life enabled 

to feel and to further 
this yet gentle wavelet, 
its own flavor deeper west. 


**


Doves

shelter from the rain
on a vine-tangled branch
of the pine—true to time, true
to place, we, doves and me.


**


Just when I think I’m lost, breath 
reminds me it’s holding my place.


**


for Hayden Carruth

“Poet” is a “way of being…” 

Pen speaks love of world
to the page. 

Voice is kissed resistance 
for those who would cover 
it over.


**


Occasions of contact 
can be arranged, created, 
purchased even. 
Understanding and love 
are different.


**


Bright sky light blue,
scats of cloud-brush

and beneath rooted feet, 
scattered shadows.

Trees and grasses hold,
while sun climbs.


**


Rains leave for longer now, warm-breathed light 
between hints of final growls—long mornings waiting 
for clearing skies, satisfied, we pull weeds 
to show spring we’re ready. 


**


Off to the side, my shadow races,
winner determined by the direction
of the light.


**


the heart bent 
to quiet-smile release,
sighs


**


Obaachan 

makes eye contact.

Palms together chest high, 
elbows either side 
wheelchair arms,
she smiles.

At me, or Buddha,
she doesn’t say.

Obaachan.


**


The true poem 
isn’t about the moment,
it is the moment,
in breath, and out,
in and out.


**


Morning

Morning, watching hills appear
in final trails of night’s rains, mists low 
and thinning, shadows grey under the pen, 
lines and words, haloed peripheries,
lifting black.

To attempt other awarenesses
than those certain happening here,
seems almost ludicrous.

To think to study the self
is to attend to other than this
is to think self away. 

Open attending is foundation—wonder, 
praise, reflection.

Pen scratches silence. Words give
of themselves the silence
that welcomes 
them back.


**


From out of the house sounds,
my name on her voice
stops my heart.


**


Everything whispered this morning,
splaying fingers in front of my eyes
that look just like mine.


**


Salmon-pink’s steady glow in the east
prompts promises of gladness
from the last of winter’s showers.


**


An open-winged crow
swoops low, lifts, a’lights
a’top the pole, to state its name
to drizzling rains.

Eyes washed clean of sleep, 
I raise my feet above the street
to state my name too.



**
**
**

“A poem is not an expression, nor is it an object. Yet it
somewhat partakes of both. What a poem is

Is never to be known, for which I have learned to be
grateful. But the aspect in which I see my own

Is as the act of love…”


        —Hayden Carruth, from “The Impossible

                        Indispensability of the Art Poetica”

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