Tuesday, April 10, 2018

South of here



“Where I kneel, a rock stands.”

                                             Cid Corman
**


Santiago, Chile 

to Valparaiso, through the central valley, 
through bulked, abundant foothills 
and fog-cloaked richness

to this singular coastal port 

which relieves its streets
of graffiti

by adopting their artists
as its own.


**


Happenings occur 
in hotel dining rooms

as surely as any other air—
sounds move, people

shift, things lift,
cups and saucers clink.


**


Puerto Varas, Chile

I wonder if they, the two
fishing the point at lake’s edge,

if they too take note of the volcano 
on the opposite edge, 

take note of low skimming gulls, 
of morning constellations—

do they name stars, speak aloud 
the time sun breaks mists,

do they too see
this we ?


**


Lake Llanquihue

Reaching across the lake, 
the scrap-sculpted goddess 

leans into breezes
lapping feathered bellies

of quick-diving ducks
fishing 

the uncertain shores
at her feet.


**


Tell me how to say,
      in Chilean-brushed Spanish,
                    “breeze-brushed lake.”


**


After Cid Corman…

to sing    

the heart    

rising 

to sing    


**


Witness

forever the work unending
repairs itself, the whole regained,
renewing forever unending
discovery-recovery
of words

just for that…


**


Visente Rosales Park—Osorbo Volcano

into the Andes foothills of pastures and farms, of green 
into evergreen, to forests misting rains, shadowed mounds, 
rounded clouds and water rounded volcanos—Chile 

three thousand miles of shoreline, two-thousand volcanos, yet 
but a single slice of the global arc of the “ring of fire”—and yet, too, 
situs of witness, this click of moment, this cracked unfoldment

of conscious place as is, allows words to work 
the pour of voice 
into presence 


**


Peula, Chile—Pop. 96

Nearby peaks pocket summer snow,
guide waist-high trails of clouds, gather
valley bottoms with grass.


**


Crossing into Argentina, the lakes
are home to English spoken fish—rainbows 
and browns, to name two. 


**


Lago Nahuel Huapi, Argentina

Last night’s rain drops
from fan-like needles
to roots still drinking.


**


2/26

One more day till the youngest turns
another year; the oldest turns the next.
One day each year, last is first.


**


Receiving is only part—witness the flower.


**


haiku—sharing clues of truth


**

Light
through the part in the curtains
where the windows meet.


**


The coffee stirrer
The napkin
Drinking


**


Jungles speak water’s tongue, 
even at their edge—generators stutter
to regain—humans suck and spend their breath
with talk and song—and long is the light that sustains.


**

Puerto Iguazu, Argentina 3-1-18

for Elson Snow

February moves 
that much faster, Elson—moving friends 
remind us how close we are.

Grey and white feathers flash.
Jungle trees drip. Grey skies hold 
news.

Nineties of years, too short. How many 
the times to have written your name,
not enough.

Palms together, good friend. 

No need for prayers of safe passage.


**


In Rio

the scholar came to explain
the principle structures of language,

he said. We ordered coffee,
talked—ordered more.


**


Santa Teresa Barrio

After fussing with switches, 
the outlets work, as do the lamps.

Replacement lodgings. Making due.
Not complaining.


**


The beach

Multiples of people
track through gull-scratched sands.

Mist-filtered light
makes no new demands.


**


Angela

Old friends, we wander together
the botanical gardens, speaking aloud 
our teacher’s names.


**


Language 
is self-fulfilling 
promise…

each utterance, whatever 
the tongue, affirms 
that life 

within the greater life 
there for the sake 
of that utterance.


**


Children’s footsteps overhead
remind me of home—winged voices.


**


Flip-flops, t-shirts, no shirts.
Bare bellies, fat bellies, skin and smiles.
Bongia, Rio. 


**


heating water for coffee

children upstairs readying for school

rain drops


**


Barking dogs fill voids
we can’t feel—stars too
place sky beyond reach.


**


Music rises.
The valley beneath the window
feeds all that’s open.


**


Three bare light bulbs light
the studio like day light,
outside darkness held there.


**


The wife snores gently.
Through the open window, 
sounds of passing planes.


**


One calf, one foot,
one-half of the other—skin
from under the sheet.


**


Ask of your senses today
what else they’ll bring you 
you’ve not yet missed.


**


Morning meds. 

A sheet of paper.

Three pills, one curled edge.


**


Passing breezes unfurl
sheer curtain silence
into sunlight.


**


Security asks my name,
doesn’t listen—I write it
as he looks away.


**

At the airport…

runway puddles glisten
in surrounding spot lights—
inside chairs face out


**


if existence is transition,
to want something else

is as natural as it gets

Wednesday, February 14, 2018

days grow...into February



—February 1, 2018


where were you when the moon turned red
in the shadow of our passing 
before the sun


**


horizons meet sky earlier today
speak to the pink of slow-coming light

whose day-turning voice 
makes old to new

an unanswerable question 
of untellable joy


**


From where I sit, the moon. 
Hillside homes, sun’s rays—touch, warmth. 
Affinity, glow.


**


Song of My Self

The last thing I recall before letting go
is the lack of question, grip loosed into 
inevitable embrace—elements, all elements, 
every energy and field ever, each following 

inherently inscribed inclinations, enhanced
by all others in relation—our sense of is-ness, 
each unrepeatable subjectivity, a blessing 
upon us all.


**


one value of the attitude of
non-aggression 

is space, space enough 
to notice enough

to care


**


puddles collect dreams
streets don’t like to share

passing stars keep watch
for signs of daylight


**


the darkness the other side the window
reflects the lighted room mirror-like

the exact opposite image exactly opposite me
exacting the fathomless mystery
behind it all


**


Squinting into afternoon sunlight
a satsuma orange, the last, peers
out from under a part in the green
right into my eyes—we pause,
then lean as if not noticing.


**


the phrase has generative power
the sentence cannot properly hold, end point
leaving breath bereft of traction enough 

to reach through to the next, 
exhaustion the only remaining meaning, 
remaining unsaid


**


first to blossom each year,
the almonds—seventeen
syllables of thanks


**


Omine Sensei…

as he walked, bowed low
to each blossom, close, intent,
asking for its name


**


Words and our relation to world,
unfathomable, succinct, leaf-like.


**


The ancient Buddhist philosophers believed the longest measure 
of consciousness related to sense perception consists of seventeen
thought-instances, each briefer than a lightening flash—how curious 
the measure of haiku.

          The magic of seventeen syllables 
          cannot be attributed.


**


If it can’t qualify as haiku,
then let’s call it
a short poem.


**

almond and plum
flower the garden
into early spring


**


pruning back branch tips
just before buds show—thinning
waits for longer days


**


once it came, no one complained
that the light was too dim


**


the report back

numbers, always numbers,
countless and bloodless

without the stories, stories breathing 
life to faces coming clear,

coming up from under the overwhelming 
to find someone’s eyes there



—February 10, 2018

Sunday, February 4, 2018

always this



leaves brown
        bare their trees

  all the more obvious in old age
           fires burning 

      a different kind of heat


**


made me think of our first born
how he looked when first we met

how right the universe is
to stick to its own standards

of beauty and gift


**


rain leans in

free falls

from the trellis top
to the blue tarp
a’top patio chairs

taps patterns
of dream songs

of forgotten promises
of fading recollections of spring


**


Methinks
our need
to name

makes things
neither
more nor
less what
they are.

What then
does this
say of
what we
make of
ourselves
by name ?

Does poet
dream poem

or poem
dream poet—

and if so,

what’s lost
or gained 
in the
writing ?

“I’m here,
so I write,”

the master says—

what else
to say ?


**


Before learning their second tongue,
babies, all of them, 

speak for the universe 
its many varied words for yes !


**


It is the nature of language
that it takes us, even when
it appears otherwise.


**


words telling stories
where nothing happens

fall like leaves making peace
with ground left behind


**


ok after a long sleep

late morning walking sunlight
frees winter cloister

to vows of no return

to slow draining spirits
too close akin to dark

one slice of light
is all we need


**


the grass and weeds 
between the stones

in the stairs in the garden
speak to probing fingers

of the many virtues
of winter rains


**


finally seeing I’d slipped back
to trying too hard, I give thanks
by letting go


**


mind holds course its indulgent way
while eyes pass silk-touch praise

to pink-grey skies, to horizons
free to feel


**


Like its individual face, 
the pathology of self-cherishing

when raised to the systemic
runs brute oppression
on one side 

and on the other spreads 
presumably pure reason 
that sells 

resulting carnage 
as someone else’s 
fault.

Deprive a fire of the air it breathes,
it chokes on its own smoke.


**


Light from street lamps
makes clouds of mist

where rain drops
might otherwise be.

What otherwise might we be

but for sun’s light ?